Jim McCarty – PowerPop… An Eclectic Collection of Pop Culture

Yardbirds – Over, Under, Sideways, Down

The 1966 song begins loudly with a snake-charming-sounding riff by Jeff Beck. It jumps out of the turntable. I had one of the many Yardbirds greatest hits packages in the 1980s and became a fan.

Jeff also plays the bass on this song. When you talk about the Yardbirds, you almost have to pick which Yardbirds you’re talking about. The Clapton Yardbirds? The Jeff Beck Yardbirds? The Page Yardbirds? They were a band in constant transition, always chasing the next sound (and guitar player). With Jeff Beck holding the guitar reins, they gave us one of their strangest and coolest singles.

From the opening guitar riff, you know you’re not in typical British Invasion territory. The tune was inspired by Middle Eastern scales. The band had been soaking up Indian and Eastern music around the same time the Beatles were dabbling in sitars. Instead of George Harrison’s spiritual leanings, though, the Yardbirds went for having a good time at all costs.

The song was a group composition, something the Yardbirds often did to keep things fair. Beck’s guitar is the real star, but the whole band had a hand in shaping its feel. It was one of their last sessions with bassist Paul Samwell-Smith, who would leave shortly afterward to focus on production. Chris Dreja, their rhythm guitarist, has said the song captured the manic, party-heavy atmosphere of their lives at the time.

Over, Under, Sideways, Down peaked at #13 in the Billboard 100 and #10 in the UK in 1966. I must say it’s one of my all-time favorite titles.

Jim McCarty: “‘Over Under Sideways Down’ was about the situation of having a good time – a bit of decadence, really – in the ’60s. Cars and girls are easy to come by in this day and age, and laughing, drinking, smoking, whatever, till I’ve spent my wages, having fun.”

Jim McCarty: “On ‘Over Under Sideways Down’ I think we all put in our bit. I put in a tune, somebody else said, ‘How about the state of things at the moment, it’s all over the place, so it’s sort of over, under, Sideways, down.'”

Jim McCarty: “It’s very much up and down. Yeah, it was very much like a microcosm of a life, really. Very extreme, because we’d go from being on top of the charts and going to fantastic places and traveling to places like California that were just our dream after being in a sort of post-war London, which was rather dismal and rather miserable. Suddenly we were going to sunny California where things were happening and things were rich and there were lovely girls and cars and everything. From that to sitting all night in a bus driving to a gig and not being able to stop and feeling absolutely wretched from being so tired. And getting on each other’s nerves and arguing. (laughing) So it’s very much the extreme life.”

Jeff Beck: “I actually didn’t have a guitar of my own, I was so hard up. The Yardbirds sort of sneaked Eric’s guitar out. He’d finished using the red Tele (Fender Telecaster)
and was using a Les Paul, so he didn’t care about the red Tele. The bands manager, said well, ‘You’d better use Eric’s guitar—we can’t afford to go out and buy one now.’ So I borrowed Eric’s for the first couple of gigs”.

Over, Under, Sideways, Down

(Hey! Hey! Hey! Hey!)
Cars and girls are easy come by in this day and age.
Laughing, joking, dreams, weed smoking, till I’ve spent my wage.
When I was young, people spoke of immorality.
All the things they said were wrong are what I want to be.

(Hey!) Over, under, sideways, down,
(Hey!) I bounce a ball that’s square and round.
(Hey!) Over, under, sideways, down,
(Hey!) I bounce a ball that’s square and round.
When will it end? (When will it end?)
When will it end? (When will it end?)

(Hey! Hey! Hey! Hey!)
I find comments ’bout my looks irrelativity.
Think I’ll go and have some fun, ’cause it’s all for free.
I’m not searchin’ for a reason to enjoy myself.
Seems it’s better done than argue with somebody else.

Yardbirds – For Your Love

This is the song that introduced the Yardbirds to me. I got into them heavily as a teenager. I just found one of my old Jr High notebooks with band names on the front, and The Yardbirds are on there. I always thought this was a different-sounding pop hit. Yes, you have the harpsichord, but the song also has a couple of time signatures.

The song was written by Graham Gouldman, a teenage songwriter whose knack for hooks would later find full bloom in 10cc. For Your Love was handed to them by manager Giorgio Gomelsky, who saw the group’s potential beyond the blues clubs. The song offered a chance on the pop charts. Clocking in at under 2:30, it was compact, catchy, and just different enough to resonate with people. This was one of the few hit pop songs at the time to feature a harpsichord.

And for Eric Clapton, it was the final straw. Clapton wanted blues, and Gomelsky wanted hits. He couldn’t get behind its commercial lean. Within weeks of its release, he was gone, off to join John Mayall’s Bluesbreakers, where the amps were loud and the blues roots ran deeper.

The song peaked at #6 in the Billboard 100, #1 in Canada, and #3 in the Uk in 1965. This song was more pop than blues. This inspired Eric Clapton to leave the Yardbirds because he feared they were becoming too commercial.

The Yardbirds had three of Rock’s greatest guitar players pass through them. Eric Clapton, Jeff Beck, and Jimmy Page. They had such a raw edge to them with Jeff Beck, so that is the version I like best.

Jim McCarty on the songs by Graham Gouldman: “Well, they were always very original. Very interesting songs, very moody, because they were usually in a minor key, the ones we did, anyway. ‘For Your Love’ was an interesting song, it had an interesting chord sequence, very moody, very powerful. And the fact that it stopped in the middle and went into a different time signature, we liked that, that was interesting. Quite different, really, from all the bluesy stuff that we’d been playing up till then. But somehow we liked it. It was original and different.”

Jim McCarty: “To try and get a hit song in those days was quite a difficult thing to do for us. We could come up with ideas, but our first hit song was very important for us. And with ‘For Your Love’ we heard it and had the demo of it and it sounded like a hit song to all of us. Yeah, there wasn’t a problem doing that. It was the sort of thing that you relied on to get into that other echelon, to have a hit song. All our contemporaries were having hit songs: The Beatles and the Stones and the Moody Blues and Animals, they were all having #1 hits and we were really trying to keep up.”

For Your Love

For your love
For your love
I’d give you everything and more and that’s for sure
(For your love)
I’d bring you diamond rings and things right to your door
(For your love)
To thrill you with delight,
I’d give you diamonds bright
Double takes I will excite,
Make you dream of me at night
For your love
For your love
For your love
For your love,
For your love
I would give the stars above
For your love,
For your love
I would give you all I could
(For your love)
(For your love)
I’d give the moon if it were mine to give
(For your love)
I’d give the stars and the sun for I live
(For your love)

Yardbirds – Happenings Ten Years Time Ago

I remember this song on some Yardbirds album I had back in the day. The guitar riff is outstanding. This band had no shortage of guitarists. Eric Clapton, Jeff Beck, and then Jimmy Page.

This is the first Yardbirds song that Beck and Page played together. The bass player on this song, Led Zeppelin fans will know right away. John Paul Jones played bass on this song. Jones also played bass on the Yardbird’s tracks “No Excess Baggage” and “Goodnight Sweet Josephine.” The reason Jones, who was a studio musician at that point, played on these songs was that the regular bass player Paul Samwell-Smith was pursuing record production full-time.

Paul Samwell-Smith went on to be a successful producer with credits such Cat Stevens’ albums Tea for the Tillerman, Teaser and the Firecat, and Catch Bull at Four. He also produced Jethro Tull, Carly Simon, and others. A couple of years later…John Paul Jones would be part of the New Yardbirds before they morphed into Led Zeppelin. Page wisely kept the rights to the name and the band played their first shows under that name.

This song was released in 1966 as a single with the B-side Psycho Daisies. The song peaked at #43 in the UK. As the title of the B side suggests…music was going into a psychedelic period that would peak the following year with The Beatles Sgt Peppers album.

The song was credited to the band… Keith Relf, Jim McCarty, Jeff Beck, and Jimmy Page except for rhythm guitar player Chris Dreja and bass player Paul Samwell-Smith.

Jim McCarty: “On ‘Happenings Ten Years Time Ago,’ Keith (Relf) and I were trying to write a song about reincarnation. We’d seen everything before, and it was all happening again. That was quite an interesting viewpoint, really. Meeting people along our way that we’d seen from another day. Sort of bringing in that situation that we’d been there before.”

Jimmy Page: We rehearsed hard on all sorts of riffs to things like “Over Under Sideways Down” which we were doing in harmonies and we worked out where we’d play rehearsed phrases together. It was the sort of thing that people like Wishbone Ash and Quiver [later] perfected, that dual-lead-guitar idea.

Happenings Ten Years Time Ago

Meeting people along my way
Seemingly I’ve known one day
Familiarity of things
That my dreaming always brings

Happenings ten years time ago
Situations we really know
But the knowing is in the mind
Sinking deep into the well of time
Sinking deep into the well of time

Walking in the room, I see
Things that mean a lot to me
Why they do I never know
Memories don’t strike me so
Memories don’t strike me so

It seems to me I’ve been here before
The sounds I heard and the sights I saw
Was it real? Was it in my dreams?
I need to know what it all means

Happenings ten years time ago
Situations we really know
But the knowing is in the mind
Sinking deep into the well of time
Sinking deep into the well of time