I heard this song while listening to Road Apples last year or so, and I knew I wanted to come back to it. A shout-out to deKe, who recommended this album to me. This one is such a beautiful and sad song. When I looked up the inspiration, I sadly understood.
There’s a quiet weight (best way I can describe it) to Fiddler’s Green that sets it apart in the catalog from what I heard of The Tragically Hip. It was released on Road Apples in 1991; it comes in soft and stays there. No huge dynamic, just a steady song that feels epic at times.
The song was written by Gord Downie after the loss of his 3 year old young nephew. That context explains the tone and meaning without needing to be spelled out in the lyrics. The band keeps the arrangement simple, light acoustic guitar, space between the notes, and a vocal that sounds like it’s being carried more than delivered. Producer Don Smith, who had worked with Tom Petty and the Heartbreakers, helped guide the sessions toward a more direct sound, and this track benefits from that restraint.
The album was recorded in New Orleans, and the environment shaped parts of the album, but this song feels separate from the rest. While other tracks were more into groove and band interplay, this song is kept simpler. It’s closer to a live recording in spirit, one voice, one guitar, and the room around it. The band understood it didn’t need more.
I didn’t hear this one right away when I first got into Road Apples. It was one of those tracks you come back to later, and it hits you differently. The first thing I thought was how different it was. The album peaked at #1 in Canada in 1991. The album had 6 singles released from it, but this one wasn’t one of them, and that is a shame.
I’m not an expert on this band, but after listening to the debut album and then this one. It sounded like a band settling into who they were. It’s an excellent album.
Fiddler’s Green
One, two, three, four, one, two
September seventeen For a girl I know it’s Mother’s Day Her son has gone alee And that’s where he will stay Wind on the weathervane Tearing blue eyes sailor-mean As Falstaff sings a sorrowful refrain For a boy in Fiddler’s Green
His tiny knotted heart Well, I guess it never worked too good The timber tore apart And the water gorged the wood You can hear her whispered prayer For men at masts that always lean The same wind that moves her hair Moves a boy through Fiddler’s Green
Oh, nothing’s changed anyway Oh, nothing’s changed anyway Oh, any time today
He doesn’t know a soul There’s nowhere that he’s really been But he won’t travel long alone No, not in Fiddler’s Green Balloons all filled with rain As children’s eyes turn sleepy-mean And Falstaff sings a sorrowful refrain For a boy in Fiddler’s Green
My Canadian friends Deke, Dave, CB, and Randy got me into this band and Deke (check his YouTube channel out) mentioned how he really liked this 1991 album Road Apples. Before I started blogging I only knew The Band, Guess Who, Neil Young, and Rush were from Canada but these guys have filled me in.
I’ve posted a few of their songs but nothing off this album. After listening to them this past year…I don’t understand and wonder why they didn’t explode over here.
The two songs I’ve posted are great. New Orleans Is Sinking (great classic rock sound) and Ahead By A Century. The Tragically Hip is an institution in Canada, and still something of a cult band everywhere else… I love cult bands such as Big Star and The Replacements so that is fine with me but it’s not fair.
This song was inspired by a conversation lead singer Gord Downie had with a cab driver in New Orleans. The driver explained the basics of life and survival, saying something like “you gotta eat—it’s just little bones”, which stuck with Downie. This was their second album and it did great. It peaked at #1 in Canada but failed to chart on the Billboard album chart. The song peaked at #11 in Canada in 1991.
They got their name from Elephant Parts. That was a video by Michael Nesmith (Monkee guitarist) and they heard it in an Elvis Costello song (Town Cryer) also. Gordon Downie said: “There’s one skit in there that is sort [of] like a TV plea: ‘Send some money to the Foundation for the Tragically Hip.’ And that phrase has also appeared in an Elvis Costello song. It crops up every now and again, and it’s just a name that we like.”
They formed in 1984 in Kingston, Ontario. They were together until 2017. They have released 13 studio albums, one live album, one compilation album, two video albums, two extended plays, and a boxed set. In 2017, lead singer Gord Downie passed away.
Little Bones
It gets so sticky down here Better butter your cue finger up It’s the start of another new year Better call the newspaper up
Two-fifty for a highball And a buck and a half for a beer Happy hour, happy hour Happy hour is here
The long days of Shockley are gone So is football Kennedy-style Famous last words taken all wrong Wind up on the very same pile
Two-fifty for a decade And a buck and a half for a year Happy hour, happy hour Happy hour is here
I can cry, beg and whine To every rebel I find Just to give me a line I could use to describe
They’d say, “Baby, eat this chicken slow It’s full of all them little bones Baby, eat this chicken slow It’s full of all them little bones”
So regal and decadent here Coffin-cheaters dance on their graves Music all it’s delicate fear Is the only thing that don’t change
Two-fifty for an eyeball And a buck and a half for an ear Happy hour, happy hour Happy hour is here
Well, nothing’s dead down here, it’s just a little tired Nothing is dead down here, it’s just a little tired Well, nothing’s dead down here, it’s just a little tired Nothing is dead down here, it’s just a little tired
Oh baby, eat this chicken slow It’s full of all them little bones Baby, eat this chicken slow It’s full of all them little bones Little bones Full of all them little bones Aah, little bones
I’m just now really listening to this band and I’m liking a lot of what I’m hearing. This song takes on a new meaning after Katrina but this song was released in 1989. Whenever I post something about a band that I don’t know much about…I usually go with their most popular song to start off. I posted Ahead By A Century, and people responded. I like this one more…it has some thump to it.
I liked this one with a first listen. I love the relentless guitar riff that starts this off. The song seems to be recalling a past experience in the city, and the lyrics describe a sense of nostalgia and appreciation for everything New Orleans has to offer…including its spirit. The song is lamenting the changing times, and expressing his desire to remain connected to its rich history and traditions.
The song was on their debut album Up To Here released in 1989. The album did well in Canada peaking at #9 and #170 on the Billboard 100. They released 13 studio albums and this is the worse showing of all the albums on the Canadian charts. Nine of their albums peaked at #1, two of them at #2, and one of them at #3. The song peaked at #1 on the Canadian RPM magazine Charts, #70 on the Canadian Singles Charts, and #30 on the Billboard Main Rock Charts in 1989. The song was credited to the band.
To show the disparity between the band’s fortunes in America and Canada. I read that a fan was traveling through upstate New York and passed a small roadside club that said “Tonight: The Tragically Hip” and he turned around and saw them in the small club. In Canada at the time were filling stadiums and now they got a chance to see them close up. A difference a few miles can make.
The Tragically Hip is an institution in Canada, and still something of a cult band everywhere else…and I love cult bands such as Big Star and The Replacements.
Deke told me about the live album The Tragically Hip Live At The Rox May 3, 91 and it is great…a great sound and the band was really tight that night. No video of them but it’s worth a listen to the video below this.
New Orleans Is Sinking
Bourbon blues on the street, loose and complete
Under skies all smoky blue-green
I can’t forsake a Dixie dead-shake
So we danced the sidewalk clean
My memory is muddy, what’s this river that I’m in?
New Orleans is sinking man, and I don’t wanna swim
Colonel Tom, what’s wrong? What’s going on?
Can’t tie yourself up for a deal
He said “hey north you’re south shut your big mouth,
You gotta do what you feel is real”
Ain’t got no picture postcards, ain’t got no souvenirs
My baby, she don’t know me when I’m thinking ’bout those years
Pale as a light bulb hanging on a wire
Sucking up to someone just to stoke the fire
Picking out the highlights of the scenery
Saw a little cloud that looked a little like me
I have my hands in the river
My feet back up on the banks
Looked up to the Lord above
And said, hey man thanks
Sometimes I feel so good I gotta scream
She said Gordie baby I know exactly what you mean
She said, she said, I swear to God she said
My memory is muddy, what’s this river that I’m in?
New Orleans is sinking man and I don’t wanna swim
Swim