Elton John – Saturday Night’s Alright (For Fighting) 

A fun song that has a bit more of a kick than a regular Elton John song.

The song was written by Elton, who wrote the music, and his songwriting partner Bernie Taupin who wrote the lyrics. He said it was his first attempt at writing a rock song that was totally English. Up until then, he focused on American Culture.

This song is about Taupin’s teen years going to British dance clubs, where fights were common. Many of Taupin’s songs are written to relate to Elton’s life, but not this one…it’s very unlikely that Elton would be fighting in a bar. Elton recorded this song while leaping around and standing up to get a certain feel.

The song was on the album Goodbye Yellow Brick Road and parts of it were recorded in Jamaica. This could very well be Elton John’s best album. It contained the title song, Bennie and the Jets, Candle in the Wind, and more. It was during a period when John and Taupin could do no wrong…they had the Midas touch. Everything they touched turned to gold and more times platinum. Between 1969 to 1976 the pair released 11 albums. Six of those were #1 in the Billboard 100 and all of them made it to the top ten.

The album was released in 1973 and it peaked at #1 on the Billboard 100, #1 in Canada, #1 in the UK, and #5 in New Zealand in 1973.

The song peaked at #12 on the Billboard 100, #20 in Canada, #7 in the UK, and #12 in New Zealand in 1973.

As with other Elton songs…I was surprised when I saw the lyrics. He is one of the hardest singers to nail down the words I’ve ever heard…for me anyway. The line about getting drunk is brilliant…”Get about as oiled as a diesel train” but for the longest, I would just mumble… blah blah blah blah DIESEL TRAIN. This song though is clearer than some of his others.

Bernie Taupin on recording some of the album in Jamaica: “The climate was hospitable, but the natives weren’t. To use the terminology of the time, it was not a ‘good vibe.’ I remember a lot of barbed wire around the studio and armed guards. We spent a lot of time congregating around the pool area of the hotel, feeling there was safety in numbers. The Stones did manage to record there, but in retrospect, I think they had a mobile unit with them. The only thing I remember trying to record was ‘Saturday Night’s Alright For Fighting.’ It was an aborted attempt, just atrocious.”

Saturday Night’s Alright (For Fighting)

It’s getting late, have you seen my mates?
Ma tell me when the boys get here
It’s seven o’clock and I want to rock
Want to get a belly full of beer

My old man’s drunker than a barrel full of monkeys
And my old lady she don’t care
My sister looks cute in her braces and boots
A handful of grease in her hair

Don’t give us none of your aggravation
We had it with your discipline
Saturday night’s alright for fighting
Get a little action in

Get about as oiled as a diesel train
Gonna set this dance alight
‘Cause Saturday night’s the night I like
Saturday night’s alright alright alright

Well they’re packed pretty tight in here tonight
I’m looking for a dolly who’ll see me right
I may use a little muscle to get what I need
I may sink a little drink and shout out “She’s with me!”

A couple of the sounds that I really like
Are the sounds of a switchblade and a motorbike
I’m a juvenile product of the working class
Whose best friend floats in the bottom of a glass

Don’t give us none of your aggravation
We had it with your discipline
Saturday night’s alright for fighting
Get a little action in

Get about as oiled as a diesel train
Gonna set this dance alight
‘Cause Saturday night’s the night I like
Saturday night’s alright alright alright

Don’t give us none of your aggravation
We had it with your discipline
Saturday night’s alright for fighting
Get a little action in

Get about as oiled as a diesel train
Gonna set this dance alight
‘Cause Saturday night’s the night I like
Saturday night’s alright alright alright

Saturday, Saturday, Saturday
Saturday, Saturday, Saturday
Saturday, Saturday,
Saturday night’s alright

Saturday, Saturday, Saturday
Saturday, Saturday, Saturday
Saturday, Saturday,
Saturday night’s alright

Saturday, Saturday, Saturday
Saturday, Saturday, Saturday
Saturday, Saturday,
Saturday night’s alright

Elton John – Goodbye Yellow Brick Road

One of the songs that reminds me of childhood. This was Elton in his most fertile period of the seventies. Elton and Bernie had the Midas touch with songs.

Elton and his songwriting partner Bernie Taupin went to Jamaica to record the album, but the studio wasn’t up to standard, so the project was abandoned there with only a rough version of “Saturday Night’s Alright (For Fighting)” actually being recorded. “Goodbye Yellow Brick Road” and the rest of the album were recorded in France at Strawberry Studios (The Chateau d’Hierouville).

The song peaked at #2 in the Billboard 100, #1 in Canada, #6 in the UK, and #2 in New Zealand in 1973-74. This made the third Elton single to make number 1 in Canada in 1973.

The song’s B side was originally titled “Screw You”, although the US release re-titled the song “Young Man’s Blues” so that it would not offend American record buyers.

Bernie Taupin: “It’s funny, but there are songs that I recall writing as if it was yesterday. And then there are those I have absolutely no recollection of, whatsoever. In fact, I’d have to say that for the most part, if someone was to say that the entire Yellow Brick Road album was actually written by someone else, I might be inclined to believe them. I remember being there, just not physically creating.

There was a period when I was going through that whole ‘got to get back to my roots’ thing, which spawned a lot of like-minded songs in the early days, this being one of them. I don’t believe I was ever turning my back on success or saying I didn’t want it. I just don’t believe I was ever that naïve. I think I was just hoping that maybe there was a happy medium way to exist successfully in a more tranquil setting. My only naiveté, I guess, was believing I could do it so early on. I had to travel a long road and visit the school of hard knocks before I could come even close to achieving that goal. So, thank God I can say quite categorically that I am home.”

From Songfacts

The Yellow Brick Road is an image taken from the movie The Wizard of Oz. In the movie, Dorothy and her friends follow the yellow brick road in search of the magical Wizard of Oz, only to find they had what they were looking for all along. It was rumored that the song was about Judy Garland, who starred in the film.

Bernie Taupin wrote the lyrics to this and most of Elton’s other songs. He often seems to write about Elton, but this one appears to be about himself. The lyrics are about giving up a life of opulence for one of simplicity in a rural setting. Elton has enjoyed a very extravagant lifestyle, while Taupin prefers to keep it low key.

Bernie’s canine imagery, including the part about sniffing around on the ground, is a sly poke at Linda’s two little dogs. Linda was a girlfriend of Elton John’s.

In 2008, Ben & Jerry’s created a flavor of ice cream in honor of Elton John called “Goodbye Yellow Brickle Road.” Made of chocolate ice cream, peanut butter cookie dough, butter brickle and white chocolate chunks, it was made to commemorate Elton’s first concert in Vermont (home of the ice cream makers) on July 21, 2008 at the Essex Junction fairgrounds. Elton had played every other state before his Vermont show. He had some of the ice cream before the show.

Ben Folds told Rolling Stone magazine for their 100 Greatest Singers Of All Time issue: “He was mixing his falsetto and his chest voice to really fantastic effect in the ’70s. There’s that point in ‘Goodbye Yellow Brick Road,’ where he sings, ‘on the grooound’ – his voice is all over the shop. It’s like jumping off a diving board when he did that.” 

American rock group Queens Of The Stone Age covered the song for the 2018 Elton John tribute album Revamp. Their version was produced by Mark Ronson and features backing vocals with Jake Shears of The Scissor Sisters.

“It’s nice to pick something that may seem off kilter at first for us to do. But ‘Goodbye Yellow Brick Road’ really has the psychedelic carousel nature to it,” said QOTSA’s Josh Homme. “I think at first we thought we will tinker with the arrangement, but there’s so many beautiful chords- the chord progression is so wonderful- once you step on that carousel, it’s just this beautiful musical swirl and it’s really intoxicating to be on that carousel. And it seemed like there’s a psychedelic element that we could bring out, that it’s touching on, and that maybe the key for us to do it would be to accentuate the wispiness that is going on in the song.”

Goodbye Yellow Brick Road

When are you gonna come down?
When are you going to land?
I should have stayed on the farm
I should have listened to my old man

You know you can’t hold me forever
I didn’t sign up with you
I’m not a present for your friends to open
This boy’s too young to be singing, the blues

So goodbye yellow brick road
Where the dogs of society howl
You can’t plant me in your penthouse
I’m going back to my plough

Back to the howling old owl in the woods
Hunting the horny back toad
Oh I’ve finally decided my future lies
Beyond the yellow brick road

What do you think you’ll do then?
I bet that’ll shoot down your plane
It’ll take you a couple of vodka and tonics
To set you on your feet again

Maybe you’ll get a replacement
There’s plenty like me to be found
Mongrels who ain’t got a penny
Sniffing for tidbits like you on the ground

So goodbye yellow brick road
Where the dogs of society howl
You can’t plant me in your penthouse
I’m going back to my plough

Back to the howling old owl in the woods
Hunting the horny back toad
Oh I’ve finally decided my future lies
Beyond the yellow brick road