This song is one of the best pop singles of the 1970s. It was on the album City To City. This was Rafferty’s first release after the breakup of his former band Stealer’s Wheel. Rafferty had been unable to release any material due to disputes about the band’s remaining contractual recording obligations, and his friend’s Baker Street flat was a convenient place to stay as he tried to remove himself from his Stealers Wheel contracts. It was his second solo album, the first being Can I Have My Money Back? released in 1971.
Rafferty’s daughter Martha later said that the book The Outsider by Colin Wilson also heavily inspired the song. Rafferty was reading the book, which explores ideas of alienation and creativity while traveling between the two cities.
The first thing you notice about the song is the sax solo. Raphael Ravenscroft played the solo. Rafferty wrote the song with an instrumental break but didn’t have a specific instrument in mind. The producer, Hugh Murphy, suggested a saxophone, so they brought in Ravenscroft to play it. He was only paid £27 for his sax contribution. One urban legend about this is that the check bounced. Ravenscroft has confirmed that it didn’t bounce.
The song peaked at #2 on the Billboard 100, #1 in Canada, #3 in the UK, and #4 in New Zealand in 1978. It won the 1979 Ivor Novello Award for Best Song Musically and Lyrically. The album City to City peaked at #1 on the Billboard 100, #1 in Canada, #6 in New Zealand, and #6 in the UK.
In 2011, Ravenscroft said that he thought the solo was out of tune. He admitted he was “gutted” when he heard it played back. Apparently, he had not been able to re-record the take, as he was not involved when the song was mixed.
Raphael Ravenscroft: I’m irritated because it’s out of tune; yeah it’s flat; by enough of a degree that it irritates me at best.
Gerry Rafferty: Everybody was suing each other, so I spent a lot of time on the overnight train from Glasgow to London for meetings with lawyers. I knew a guy who lived in a little flat off Baker Street. We’d sit and chat or play guitar there through the night.
Studio Guitarist Jake Burns: I went to the studio after I played the gig and I think one of the first songs we played was Baker Street, and I said, ‘This is fantastic. This is a great song, quite frankly, I loved his songs. I regard it as a great good fortune that I was able to meet and contribute something to Gerry’s music.
Baker Street
Winding your way down on Baker Street
Light in your head and dead on your feet
Well, another crazy day
You’ll drink the night away
And forget about everything
This city desert makes you feel so cold
It’s got so many people, but it’s got no soul
And it’s taken you so long
To find out you were wrong
When you thought it held everything
You used to think that it was so easy
You used to say that it was so easy
But you’re trying, you’re trying now
Another year and then you’d be happy
Just one more year and then you’d be happy
But you’re crying, you’re crying now
Way down the street there’s a light in his place
He opens the door, he’s got that look on his face
And he asks you where you’ve been
You tell him who you’ve seen
And you talk about anything
He’s got this dream about buying some land
He’s gonna give up the booze and the one-night stands
And then he’ll settle down
In some quiet little town
And forget about everything
But you know he’ll always keep moving
You know he’s never gonna stop moving
‘Cause he’s rolling, he’s the rolling stone
And when you wake up, it’s a new morning
The sun is shining, it’s a new morning
And you’re going, you’re going home
