Tag: Big Train (from Memphis)

One thing that Max Picks has taught me is that I haven’t posted as many hits as I truly like. I usually concentrate on the album cuts but songs like this I really like. This one is a good example. I thought for sure I did it before but never have. Well, I guess I’ve given away one Pick…

It was one of the very very very very…yes that is bad English…but what I mean to say is a VERY rare new song that our band played. See…I even liked older songs much more in the mid-eighties. We were already playing many CCR songs so this just fit right in perfectly. It seemed weird playing a song in the top 10 back then. It’s a fun easy riff to play on guitar. Something a beginner could do. 

It was one of those songs in the mid-eighties that I could not get enough of. Real drums and real guitar riffs. Fogerty had been out of the spotlight since 1975…this single was released in December 1984 right before his great album Centerfield. I didn’t buy this single…I knew it was Fogerty so I just bought the album. It was Creedence in the 80s to me. His next album I won’t talk about as much but this was an instant classic. The album had Big Train From Memphis, I Saw It On TV, Centerield,  and Rock and Roll Girls plus more very good songs. This is the song that signaled his comeback.

After it was released John had said the song was supposedly about “the devil” and that would be Saul Zaentz who owned all of Fogerty’s publishing from the CCR days. To top it off and make the song pretty much true…Saul Zaentz sued Fogerty for sounding like himself in this song. He claimed this song sounded like Run Through The Jungle…one that Fogerty wrote with Creedence. John has since said that Saul probably jumped into his mind after the lawsuit…and he developed that riff and just wrote around it. 

The B-Side to this single was Big Train From Memphis (Below) which I loved. It’s one of my favorite Train songs. The song peaked at #10 on the Billboard 100, #12 in Canada, #11 in New Zealand, and #90 in the UK. Wow…I don’t guess the UK were Fogerty fans.

John Fogerty was in court playing the song on guitar to show how he wrote it and said this later: “Yeah, it’s the same interval. What am I supposed to do, get an inoculation? I proved that, no, I didn’t copy myself, I invented something new that really sounds a lot like me. Do you find fault with Elvis for sounding like Elvis? When McCartney sounds like McCartney or Dylan sounds like Dylan? No one else ever had to go through that.”

John DID win the court case. If he had lost that case…all hell would have broken loose on solo artists who left bands for a solo career that sounded like themselves.

Big Train From Memphis

Old Man Down The Road

He take the thunder from the mountain, he take the lightning from the sky,
He bring the strong man to his begging knee, he make the young girl’s mama cry.

You got to hidey-hide, you got to jump and run;
You got to hidey-hidey-hide, the Old Man is down the road.

He got the voices speak in riddles, he got the eye as black as coal,
He got a suitcase covered with rattlesnake hide, and he stands right in the road.

You got to hidey-hide, you got to jump up run away;
You got to hidey-hidey-hide, the Old Man is down the road.

Ah!

He make the river call your lover, he make the barking of the hound,
Put a shadow ‘cross the window, when the Old Man comes around.

You got to hidey-hide, you got to jump and run again;
You got to hidey-hidey-hide, the Old Man is down the road.
The Old Man is down the road.

Ah!
You got ta, you got ta, you got ta, hidey-hidey-hide!