I first heard of George Thorogood when I watched the movie Christine back in the 1980s and the song Bad to the Bone. This song is what a grimy bar (not a dance club) in the 1980s sounded like…trust me. I forgot to thank Matt, who posted this Hank Williams song yesterday.
In this song, George rewires an old Hank Williams song and gives it some kick. It leaves plenty of space for Thorogood’s overdriven slide guitar to bark and growl. The Destroyers keep things locked in, drums steady, bass walking just enough to keep the floor moving. There’s nothing fancy here, and that’s the point. Thorogood has always understood that blues rock works best when it sounds like it could fall apart at any second but never quite does.
In 1978, they were still an underground band, a hard-working bar band with national hopes and a deep love for old blues and boogie records. The album was only their second album, but it’s the record where everything fell into place. It was recorded quickly and cheaply; the album captured the band in near-live form, loud amps, and minimal overdubs. Thorogood had said he wanted energy, and the sessions matched that request.
The song was written by Hank Williams. This song was his first big hit. The song was written by the man himself. He released this song in 1947. Two years later, he received his invitation to join the Grand Ole Opry. This song was the title track for the album, released in 1978. The album peaked at #33 on the Billboard Album Charts, #29 in Canada, and #10 in New Zealand.
Move It On Over
I come in last night about half past tenThat baby of mine wouldn’t let me inSo move it on over, rock it on overMove over little dog, a mean, old dog is movin’ in
She told me not to mess aroundBut I done let the deal go downMove it on over, rock it on overMove over nice dog, a big, fat dog is movin’ in
She changed the lock on my back doorNow my key won’t fit no moreMove it on over, rock it on overMove over nice dog, a mean, old dog is movin’ in
She threw me out just as pretty as she pleasedPretty soon I’ve been scratchin’ fleasMove it on over, slide it on overMove over nice dog, a mean, old dog is movin’ in
Yeah, listen to me dog before you start to whineThat side’s yours and this side’s mineSo move it on over, rock it on overMove over little dog, a big, old dog is movin’ in
Yeah, she changed the lock on my back doorNow my key won’t fit no moreMove it on over, rock it on overMove over little dog, a big, old dog is movin’ in
Move it on overMove it on overMove it on over, won’tcha rock it on over?Move over cool dog, a hot dog’s movin’ in

It took me a while to get into George Thorogood after he came on the scene, but I appreciate him because he always gives credit to his influences. Good sounds.
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It was one of those things…there wasn’t an abundance of guitars on the radio at that titme…and George perked me up…yes he does give credit not doubt.
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I didn’t know this was a Hank Williams song. I had a few friends who were really into him in the ’80s, he was certainly well-known in Canada
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This is probably the best dog song ever written, but I think it is more about sex than it is about canines.
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Yea…like most are…
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George Thorogood is the perfect raunchy bar music – so much fun!!!
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Yes it is! It’s hard to dislike George.
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Thorogood is one of those that whenever I hear them now, I do that ‘I wander what happened to?’……Bad to the Bone, Move it on Over and One Bourbon, One Scotch, One Beer….and I know he’s still touring (think he has a show just announced here) he was at a time when guitars were king (which I know sounds stupid to say) but his hard driven blues was radio friendly…and appealed to us arm pumping in the air beer drinkers?….I’m digging through my vinyl to see if his was one of the ones I kept along with those Molly Hatchet, Blackfoot, 38 Special and Outlaws albums….
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I saw him not too long ago on Sammy Hagar’s YouTube show. He goes around interviewing different rock stars. He is a super cool guy and like you said…he is still out there touring along with the Destroyers. He did record a bar atmosphere on his records which I loved. I was playing them then and yes…he was right on it.
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Awesome rendition. He totally reimagined the song.
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Don’t know if Thorogood’s ever going to be my thing, but covering a Hank Williams song is cool.
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I have to agree…it’s usually a good thing to cover Hank.
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You know what you’re getting with George and it always delivers for me. When he first came out it was refreshing hering this kind of music. Nice to get back to the basics. The first two albums made me a fan.
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I saw someone post this Hank song yesterday by Hank…and immediately I thought of this cover. It’s like getting a bar band national attention…and I mean that in the best way…he really made that work.
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Like I said he was refreshing at the time. Most of the bands I like are bar bands. That’s where you learn your craft. I think when I first heard of him he still had the George Thorogood and the Delaware Destroyers tag.
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I need to check more of that era out.
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No surprises just wore raw. I don’t think he added the sax till later. George and your post on NMA yesterday are musical cousins but I think NMA branches out and is more diverse. They both work when I want a shot of this kind of music.
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They do seem related you are right. I’m listening to it now (Rudy jumped when that guitar came in)…yea it is a little more raw which is a great thing. Madison Blues…this is cool stuff.
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Madison Blues. always liked the original and Fleetwood Macs but George kills it also. That’s funny about Rudy
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I love his version
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Love George as he knew how to fuse the guitar and sax together and make it rock. Move it On Over is a wicked track. Makes you want to crank it up every time you hear it. Still my fav album of his is Maverick. Lots of great George tracks out there at various points through his career.
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Cool, energetic take here. Thanks for the mention Max.
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