I posted Rocks Off by the Stones a couple of weeks ago, and Clive (Thanks Clive!) said that song influenced this song by Primal Scream. I took a listen, and I absolutely love it. It sounds like the Faces to me…pardon the pun, but that primal seventies rock. I told Clive it has a throwback sound to it. This was a departure from what they usually did..
This sure isn’t Britpop, which was popular at the time. You can tell when they recorded this that it’s supposed to sound like it could’ve been on a jukebox in 1973, and that is a wonderful thing. When it came out, the song and album baffled some critics, but it connected with a wider audience. It was their biggest UK hit to date. It was on the album Give Out But Don’t Give Up.
They decided to record in Memphis at Ardent Studios, the same place Big Star cut their records, in a location with a southern atmosphere. The idea was to tap into the same groove and gospel feel that the Stones did briefly in Muscle Shoals. The sessions were not smooth. They brought in Tom Dowd to produce, a legend whose resume included Aretha Franklin, Ray Charles, Allman Brothers, Lynyrd Skynyrd, and Eric Clapton. Dowd was used to working with bands who could cut a track live, warts and all. Primal Scream didn’t work that way. It was a constant party in the studio, and Dowd had to work through that.
The album was not easy to finish. Some tracks were reworked in London, others remixed to strip out what the label saw as “too much American bar-band” in favor of something more radio-friendly. Critics were split; some thought it was a brave move, others called it a lazy “Stones cosplay.” But for all the mixed reviews, Rocks came out swinging as the lead single in early 1994, and it worked.
One critic compared the album to U2’s Rattle and Hum, not in sound, but because of their desire to discover American influences with this album. I like it when bands do something different than expected. That is how you grow, and they took a shot, and to me, they ended up with a winner. Jimmy Miller, former producer of the Stones’ golden age, mixed a version of this as well.
The album peaked at #2 in the UK, #22 on the US Heatseekers Albums, and #12 in New Zealand in 1994.
The single peaked at #7 in the UK, #47 in Canada, and #8 in New Zealand in 1994.
Rocks
Dealers keep dealing, thieves keep thievingWhores keep whoring, junkies keep scoringTrade is on the meat rack, strip joints full of hunchbacksBitches keep a bitching, clap just keeps itching
Ain’t no use in praying, that’s the way it’s staying, babyJohnny ain’t so crazy, he’s always got a line for the ladies(Yeah, yeah, yeah)
Get your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtownGet your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtown
Creeps a-keep crawling, drunks a-keep fallingTeasers keep a-teasing, holy Joe’s a preacherCops keep busting, hustlers keep a hustlingDeath just keeps knocking, souls are up for auction
Ain’t no use in praying, that’s the way it’s staying, babyJohnny ain’t so crazy, he’s always got a line for a lady(Yeah, yeah, yeah)
Get your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtownGet your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtown (yeah, yeah)
Ain’t no use in praying, that’s the way it’s staying, babyJohnny ain’t so crazy, he’s always got a line for the lady(Oh, yeah, yeah)
Get your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtownGet your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtown
Get your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtownGet your rocks off, get your rocks off, honeyShake ’em now, now, get ’em off downtown
Get your rocks off, get your rocks off, honeyGet your rocks off, get your rocks off, honeyGet your rocks off, get your rocks off, honeyGet your rocks off, get your rocks off, honey
Get your rocks off, get your rocks off, honeyGet your rocks off, get your rocks off, honey
…

Yet another great Glasgow band! 😉😀
Bobby Gillespie’s autobiography ‘Tenement Kid,’ is a good read … detailing the relationship with Jesus and Mary Chain with whom he played in his early days.
😀
LikeLiked by 2 people
Oh cool dude!
LikeLiked by 1 person
Rip off or not, it still sounds great!
LikeLiked by 2 people
I love it. I never pay attention to the critics anyway. This is what I love. At the time you had grunge going on….I’ll take this over it anyday of the week.
LikeLiked by 1 person
We share our view of critics, but there were undeniable throwbacks to 1970ish Stones in this. It’s a great record in its own right.
And thanks for linking to mine – a very different Primal Scream track in that, from their early indie days.
LikeLiked by 1 person
I agree and it was meant it to be. Nothing at all wrong with that. At least when they did it…they did it right.
No problem!
LikeLiked by 1 person
Definitely owes a big debt to the Stones song, but you could have worse influences. In the chorus I hear echoes of “Money for Nothin'” by Dire Straits. And definitely an overall bar band sound. Derivative? Maybe, but everyone has influences. Very little is truly original. It’s how you put those influences to work. And work it they do.
LikeLiked by 2 people
I agree…and for people like me who like that sound more than modern (even at that time) it works perfectly.
Yes everyone owes something to someone before.
LikeLiked by 2 people
A really nice garage rock sound and this is a great song for a live audience.
LikeLiked by 1 person
Yes it is…Clive picked a winner here.
LikeLiked by 1 person
Clive knows his music with the best of them.
LikeLiked by 1 person
Another top track from a top band
LikeLiked by 1 person
Thanks Glyn!
LikeLiked by 1 person
can certainly hear the Stones influence in there. I heard that song occaisonally back in the day, but didn’t know who it was. To me, it foreshadowed bands like Jet and the Killers and the Strokes who’d appear a few years later with that sort of polished but retro rock sound
LikeLiked by 1 person
Yes…it does forshadow them…I was telling Clive that a band that excelled in this was The Black Crowes as well.
LikeLiked by 1 person
Right, that’s a good comparison too. I wouldn’t have figured them for British (despite the glaringly obvious fact the Stones were)
LikeLiked by 1 person
Yea that is me as well…I’ve posted a song by them before called Gentle Tuesday….it sounds like the Byrds
LikeLike
What a cool song! I don’t recall hearing it before. To me it sounds like a mix of Stones, Faces and Stax. The name Primal Scream sounded vaguely familiar. And surely enough, I previously included “Movin’ On Up” in a February 2024 post about Jimmy Miller who produced that song – another great track, btw!
LikeLiked by 1 person
I’m glad you like this one…I thought you would! It’s a rocking song! I don’t know how I missed it because I missed it also.
I’ve posted on them as well…a song called Gentle Tuesday…you would like it…it was jangly.
LikeLiked by 1 person
Not sure I’d call it a rip off but there’s a lot of the same stuff going on in both songs and the similarities are strong. Cool sounds, Max. I like it.
LikeLiked by 1 person
Love this track
LikeLiked by 1 person
Yeah, Mick ‘n’ Keef’s grubby sweaty Nellcote fingerprints are plastered all over this but who cares? It belts fair along and much better than expected lyrics.
LikeLiked by 1 person
Yes I love that first verse… I don’t mind retro
LikeLiked by 1 person
Heh heh, yeah. ‘When’s the Free Clinic open?’
There’s a few lines in that first verse that wouldn’t pass muster PG and Tipper Gore-wise I would have thought!
LikeLiked by 1 person
lol they slipped a song over on her with this one.
LikeLiked by 1 person
Good name for a band though! Free Clinic
LikeLiked by 1 person
I like it. never heard it.
LikeLiked by 1 person
Me either until Clive mentioned it…it’s a complete throwback.
LikeLiked by 1 person
Reminds me some of The Black Crowes.
LikeLiked by 1 person
Yes they do on this song
LikeLiked by 1 person
Some great stuff there. New to me!
LikeLiked by 1 person
Man, thats a great opening verse! Right out of the KEEF playbook.
LikeLiked by 1 person
Yea man…for me…they sound more like the old Stones than the new Stones do lol.
LikeLike
great track, and Primal Scream were quite happy to change genre, which I always see as a good thing, their best tracks like Loaded, sample-heavy indie dance, Movin’ On Up joyous gospel, or even a cover of Some Velvet Morning, Nancy & Lee’s masterpiece.
LikeLiked by 1 person
They do about every genre…Gentle Tuesday is pretty much a missing Byrds track…they go everywhere which yes…like you I love.
LikeLiked by 1 person
Never heard this, even though I love other Primal Scream stuff. Cool song to update.
LikeLike