Whenever I’m in a reflective mood, I immediately put on Ronnie Lane’s solo albums. As I do with most of the Lane posts…I put a little of his history for people who don’t know him. He went from a historical mod band to a rock band to a solo career. His solo career was so different than other artists. He did what he wanted to do and not the standard artist path. He did a tour under a big top with circus performers and kept his music down to earth.
Ronnie Lane was a British songwriter and bass player. He started with the Small Faces as the bass player and he and Steve Marriott wrote most of the band’s songs. The Small Faces never toured America so they never really broke out big. They did have 11 top twenty hits in the UK but only one in America with Itchycoo Park charting at #16. Steve Mariott left the Small Faces in 1968 and Rod Stewart and Ronnie Wood joined Ronnie Lane, Kenney Jones, and Ian McLagan to start The Faces. The Faces released four albums between 1970-1973… First Step, Long Player, A Nod is as Good as a Wink…to a Blind Horse and Ooh La La. They were one of the top-grossing touring bands.
After Rod Stewart’s solo career took off his interest in the band began to wane and in 1973 Ronnie Lane quit. After Ronnie left the Faces, they made no more studio albums.
Ronnie started his own folk-country band named “Slim Chance” and released a surprise hit single “How Come?” in 1973 it went to #11 in the UK. Ronnie had a unique idea of touring. His tour was called “The Passing Show” which toured the countryside with a circus tent and included a ringmaster and clowns.
This song was on Lane’s first solo album after leaving the Faces called Anymore for Anymore released in 1974. Look for a biography on youtube called Ronnie Lane: The Passing Show… I watched it around 5-6 years ago and discovered more about him.
The song was written by a folk player who played with Ramblin’ Jack Elliott named Derroll Adams. He released it in 1967.
Ronnie Lane was heavily into Mehar Baba and his philosophy. Pete Townshend was also a big follower.
Roll On Babe
Roll on, babe
Don’t you roll so slow
When the wheel don’t turn
You don’t roll no more
I dreamt last night
Ole Lola was dead
I saw the apron string
All around her head
Roll on, babe
Don’t you roll so slow
When the wheel don’t turn
You don’t roll no more
Well, I jumped a train
When I wanna go
And for where she’s bound
Well, I don’ t wanna know
Roll on, babe
Don’t you roll so slow
When the wheel don’t turn
Well, you won’t roll no more
Well, I’ve been drinking gin
I drank some whisky too
Yeah, I got hooked
Oh, whatcha gonna do
Roll on, babe
Don’t you roll so slow
When the wheel don’t turn
You don’ roll no more
mmm, mmm…
…

Lot’s of back story with Ronnie, Max. Great stuff as always.
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New to me and I have never listened to Ronnie Lane’s solo stuff. Love this!
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Thanks for listening Randy…
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Other than “Rough Mix”, Ronnie Lane’s 1977 collaboration album with Pete Townsend, I haven’t explored his catalog post Small Faces/Faces. I love the latter band(s).
I like what Ronnie did with “Roll On Babe”. His rendition has a beautiful warm sound to it and the vocals sounds great as well. I also like the original by Derroll Adams who is entirely new to me.
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How Come is a great song as well…he had so many good songs that I didn’t know about 20 years ago.
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Yep, Ronnie adds to the song IMO. It has a sadness to it.
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Many of his songs do….
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The Derroll Adams version is way too slow and Ronie Lane did a great job with this one.
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He sounds good this morning. Puts me in a good mood.
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That is what he does to me…Lane is always on my playlist.
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Me too. We should make a list of artists we like that made music and turned their back on the machine. Seems like we like a lot of those people. There’s a lot of them.
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Yes…and it would be a list of some of the best music out there…because they were smart.
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I never have heard any of the Ronnie LAne songs you post, but they usually are pretty good and this one is no exception. Seems like even if he didn’t achieve major stardom, he should’ve perhaps done a bit better on the charts and in sales.
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Yes…he had that one big hit…”How Come” which I didn’t understand why he didn’t have more…this one is not commercial but plenty are.
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I loved the Small Faces, sort of lost track after them, but this is real nice- it could be on a film sound track, at the end, someone broken-heartedly slouched back on the Union Pacific or somesuch, off into the sunset…
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Well it kind of was on his documentary…I looked for the song they had in the background and this was it…
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Haven’t seen the doco so it evokes that feeling!
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This was excellent. I love his subdued voice and that harmonica interlude is the max, Max!
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Thanks Matt…I’m back for good next weekend
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I’ve never heard this song before, but it’s nice. I like how that watery-sounding guitar and harmonica blend so well together.
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Thanks for listening Jeff.
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