Tag: The Seven-Ups

I’ve had problems posting this so I’ll try one more time. 

My cousin Ricky let me borrow this movie because he thought I would like it. He was right. It’s described as a crime, action, mystery, and neo-noir ’70s police movie. I would easily put it in the same category as The French Connection and movies like that. Some of the same techniques and backdrops. It was released in 1973, and you can’t get any more early seventies than this movie. 

My uncle was an undercover cop (Fulton was his name) in the ’70s and ’80s, and the movie rings true to some of the stories he told me. In one incident, he was undercover in a restaurant in a drug deal, and someone he knew in real life came up and yelled, “Hey, Fulton!” he had to lay the guy out right there with a punch and pass it off as something else.  I never asked if he was still friends with the guy afterward. It was a dangerous job, and black roses were delivered to his doorstep more than once. 

Philip D’Antoni directed this film. He had produced The French Connection and Bullit. This was his only director credit to his name. Some think it is a follow-up on Scheider’s character of Buddy from The French Connection. It doesn’t matter because it’s strong either way. The movie is not perfect; it has a few disjointed plot points, but it works well. 

It has that grittiness that I love in movies from this period. The realistic feel makes the story so much better because you buy into it. The actors look like everyday people against the backdrop of early 70s New York. When I see some period modern movies try to replicate this look… they usually fail. You won’t find one thing in this movie that is new and shiny. Even the car wash looks grim. 

The Seven Ups has all the earmarks of a 70s Cop film. Corruption, rogue cops, and the mafia all rolled up into one. It has that stark, cold landscape feel from the ’70s. You almost want to slip on a jacket while watching. You also have a hell of a car chase that was in many movies at this time, and this one does not disappoint. If you want a real white knuckle car chase, you just have to see the one in this film. You feel like you’re right in the middle of it.

 Roy Scheider is Buddy and one of a small group of NYC cops with unusual methods, and they are called The Seven-Ups. One of his partners is murdered, and he sets out to find and kill the thugs who were responsible while at the same time discovering that they’re involved in a plan to kidnap mobsters to extort ransom money. 

The movie encompasses all the pitfalls and dangers of police undercover work and the alliances between partners, as well as the relationships and betrayals of informers. The cast is superb, and one of the things that made it even better is none of the actors at the time were big stars. I do like that in some movies because you don’t really associate the actors with other roles. Roy Scheider would soon star in Jaws a couple of years after this movie. 

Plot

The movie follows Buddy Manucci (played by Roy Scheider), a tough New York City detective leading an elite undercover police unit called The Seven-Ups—named after their specialty of catching criminals who receive sentences of seven years or more. The unit operates in the shadows, using unorthodox methods to bring down high-level criminals.

However, their investigation into a series of kidnappings involving Mafia figures takes a dark turn when one of their own is killed, leading Manucci on a personal quest for justice.

The full movie