The Go Go’s – We Got The Beat

This is the first song I heard by them and I liked it right away.

The Go-Go’s formed in the spring of 1978 but didn’t really get serious until 1979 when drummer Gina Schock joined. Her playing gave the music a more forceful punch, and her insistence on frequent practicing helped move the band from novelty to contender in the L.A. scene.

Guitar player Charlotte Caffey wrote this song. It peaked at #2 in the Billboard 100 and #3 in Canada. The song was on the album Beaty and the Beat which peaked at #1 in 1981 in the Billboard Album Charts.

The Go-Go’s are the first all-girl band to write the songs and play the instruments on a #1 US album.

Charlotte Caffey: “I thought it would be very clever to do ‘Going To A Go-Go.’ I thought, Well, let’s try working this out as a cover song. Which is really funny when I think about it. I was listening to it a lot one day, and later that night, the song came to me within five minutes. I don’t even know if it has anything to do with listening to that song, but this whole idea came to me. It was one of those things that just went right through me and came out my hand; I wrote it down, recorded it a little bit, and then brought it into rehearsal a few days later.”

From Songfacts

The Go-Go’s wrote their own songs, and along with the Bangles and The Dixie Chicks, are one of the most successful all-girl bands to do so. “We Got The Beat” was written by guitarist Charlotte Caffey, who drew inspiration from some Motown beats, specifically one that mentioned the name of her group. 

In the ’70s, American female rockers like Suzi Quatro and The Runaways found the UK more receptive than their homeland, so The Go-Go’s followed this model, releasing an early version of “We Got The Beat” in the UK as their first single. It was issued on Stiff Records, which was home to The Specials and Madness, both groups The Go-Go’s toured with in England to promote it. It flopped, but the group fared far better in America, where they were signed to IRS Records by Miles Copeland, who managed The Police. In the US, “Our Lips Are Sealed” was released as their first single in the summer of 1981, followed by a new version of “We Got The Beat” in January 1982. This release was The Go-Go’s biggest hit, spending three weeks at #2 in April behind Joan Jett’s “I Love Rock And Roll.”

Jett was able to box them out of the top spot on the Hot 100, but Beauty And The Beat spent six weeks at #1, fending off Jett’s album. This made The Go-Go’s the first all-girl band to top the US albums chart, a mark that stood until 1999, when Dixie Chicks landed with Fly.

This plays in the opening scene of the 1982 movie Fast Times at Ridgemont High, where we meet the main characters in their natural habitat: the Ridgemont Mall. The song doesn’t appear on the soundtrack but got a lot of attention from the film. Other movies to use the song include:

Brimstone & Treacle (1982)
Romy and Michele’s High School Reunion (1997)
Jimmy Neutron: Boy Genius (2001)
My Little Pony: The Movie (2017)
Poms (2019)

When The Go-Go’s formed in 1978, they had little experience but figured they could learn on the fly in the LA punk scene, where enthusiasm could make up for shortfalls in musicianship. The only seasoned member was guitarist Charlotte Caffey, who was a few years older and knew how to play when lead singer Belinda Carlisle asked her to join this new all-girl band. Charlotte took the offer, leaving her band The Eyes and becoming a key songwriter in the group along with Jane Wiedlin, the group’s other guitarist, who quickly developed into an excellent musician as well. In 1979, they replaced original drummer Elissa Bello with the more experienced Gina Schock; in early 1981 they swapped out bass player Margot Olavarria for Kathy Valentine, who had been in a group called The Textones and also wrote songs.

The narrative of the band having no idea how to play when they started stuck with them, but by the time they released their first album, Wiedlin and Carlisle were the only members without much previous experience. Those two became the most visible members and each launched successful solo careers after the band folded in 1985. Carlisle got a lot of help from Charlotte Caffey, who worked on much of her solo material.

The Go-Go’s played this and “Our Lips Are Sealed” when they were musical guests on Saturday Night Live, November 14, 1981. The group would often have a few drinks before their shows, but for SNL they didn’t take the stage until about midnight, so all that early drinking caught up with them, resulting in a rather sluggish performance.

In a Songfacts interview with Go-Go’s bass player Kathy Valentine, she said: “I think of ‘We Got The Beat’ as an anthem. It’s very trance-like, so you combine that trance factor with the beat and the anthem nature and it’s very unique.”

The song ties into the album title, Beauty And The Beat, which was Belinda Carlisle’s idea. The group’s first album, it was recorded in New York City with producer Richard Gottehrer, the man who gave us “I Want Candy.” The Go-Go’s were based in Los Angeles, so during this time they stayed together in suites at the Wellington Hotel in New York City, causing lots of mischief and having way too much fun.

The group brainstormed ideas for the cover and decided to go with a spa theme, showing the girls wrapped in towels with cream on their faces. Their art director, George DuBois, took the photos in the hotel, with shots of each member in the bathtub for use on the back cover. According to Kathy Valentine, their manager, Ginger Canzoneri, got the towels from Macy’s and returned them after the shoot. They used Pond’s cold cream on their faces.

This was performed by the cast of the TV series Glee in the 2011 episode “The Purple Piano Project.” Released as a single, this version went to #83 in the US.

This opens the musical Head Over Heels, based on the music of The Go-Go’s, which played on Broadway in 2018. When an oracle, played by Peppermint of RuPaul’s Drag Race, foresees a beatless future for the Elizabethan-era townsfolk of Arcadia, they respond with the tune.

 

We Got The Beat

See the people walking down the street
Fall in line just watching all their feet
They don’t know where they want to go
But they’re walking in time

They got the beat
They got the beat
They got the beat
Yeah, they got the beat

All the kids just getting out of school
They can’t wait to hang out and be cool
Hang around ’til quarter after twelve
That’s when they fall in line

They got the beat
They got the beat
Kids got the beat
Yeah kids got the beat

Go-go music really makes us dance
Do the pony puts us in a trance
Do the Watusi just give us a chance
That’s when we fall in line

‘Cause we got the beat
We got the beat
We got the beat
Yeah we got it!

We got the beat
We got the beat
We got the beat
Everybody get on your feet we got the beat
We know you can dance to the beat we got the beat
Jumpin’ get down we got the beat
Round and round and round

We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat
We got the beat

The Go-Go’s – Our Lips Are Sealed ….Powerpop Friday

In Jr. High the Go Go’s broke out and got my attention. This song peaked at #20 in 1981 in the Billboard 100. It was on the album Beauty and the Beat that peaked at #1 in the Billboard Album Charts. The album had some good hooks and the songs were mostly written by the band members.

The Go-Go’s are the first all-girl band to write the songs and play the instruments on a #1 US album. The group formed in 1978 in Los Angeles, California. Frontwoman Belinda Carlisle was briefly a member (drummer) of the influential punk band The Germs, but Charlotte Caffey was the only member with much experience – she had been in a band called The Eyes. The group learned on the fly with constant gigs.

Jane Wiedlin on why the band started as punk but soon went to pop: “We, from the beginning, were always kind of enamored with the pop/punk style, like our favorite band, the band that we always tried to emulate was The Buzzcocks, who had that great pop song done in a punky style. So that was kind of what we were going for from the beginning. And for the first few years when we were just learning how to play, I think we sounded probably a lot worse than we meant to, just because we didn’t know what we were doing. And then, slowly as we learned to play, the songs started coming out more and more. It was always trying to sort of straddle the line between pop and punk.”

From Songfacts

Go-Go’s guitarist Jane Wiedlin wrote this with British musician Terry Hall, who was lead singer of The Specials. Wiedlin told Songfacts: “In 1980 we were playing at The Whisky on Sunset Strip, and The Specials were in town from England, and they came to see us, and they really liked us and asked us if we would be their opening act on their tour. I met Terry Hall, the singer of The Specials, and ended up having kind of a romance. He sent me the lyrics to ‘Our Lips Are Sealed’ later in the mail, and it was kind of about our relationship, because he had a girlfriend at home and all this other stuff. So it was all very dramatic. I really liked the lyrics, so I finished the lyrics and wrote the music to it, and the rest is history. And then his band, The Fun Boy Three, ended up recording it, too – they did a really great version of it, also. It was like a lot gloomier than the Go-Go’s’ version.”

Speaking about her relationship with Terry Hall, Wiedlin adds: “Like I said, he had a girlfriend in England, and they were talking about getting married and all this stuff. So I don’t know how I got in the picture. And, you know, that’s something that I did as a teenager, maybe I was 20. That’s something I would never do now, knowingly enter into a relationship with someone who was with someone else. I mean, it was completely screwed on my part. Although I think when people do that, you really have to look at the person who’s in the relationship, and they have to take the burden of the responsibility as well. Anyways, it was one of those things with the tragic letters, ‘I just can’t do this.’ You know, ‘I’m betrothed to another.’ All that kind of stuff.”

This was the first hit for the Go-Go’s, who started as a punk band in the late ’70s, but became pop superstars with the release of their first album, Beauty And The Beat. Unlike most other female pop groups, the Go-Go’s wrote their own songs and were serious musicians. Despite their pure pop sound, they had a confidence and attitude that gave them lots of credibility and set them apart from other bands on the fledgling MTV network.

Jane Wiedlin said in her Songfacts interview: “We’d been together about two years when I wrote that. Some of the songs from the very beginning were songs that ended up part of our repertoire. Others fell by the wayside. I remember when I wrote it, I was really afraid to show it to the band in case they didn’t like it and all this stuff. But luckily they did like it.”

The video was directed by Derek Burbidge, who did the early videos for The Police. It’s low-budget but effective, showing the band performing the song in a small club and also having carefree fun outside on a sunny day. For much of the video they are playing around in a fountain, a trope later popularized in the opening credits of the TV series Friends.

Jane Wiedlin explained: “That was the first single in America. But before we got our record deal with IRS, we actually put out one single in England so that when we toured we had something to sell, and we had like a one single deal with Stiff Records, who were the record company that had signed The Specials and Madness, who also we toured with. We also toured with Madness in England. And then that single was a previous version of ‘We Got The Beat.'” (In our interview with Jane Wiedlin, she talks about another song inspired by a “Euro-guy,” and what happened when she tried to be “The Good Wife.” Her website is janewiedlin.com.)

Terry Hall’s version with his group The Fun Boy Three hit #7 in the UK.

In 2004, Hilary and Haylie Duff recorded this for the movie A Cinderella Story, which starred Hilary.

In the 2002 movie Home Room, high school classmates Alicia (Busy Philipps) and Deanna (Erika Christensen) argue over the meaning of the song. Alicia says, “It’s about a bunch of chicks trying to stay virgins,” and Deanna claims, “It’s about a bunch girls trying to keep a secret.”

Our Lips Are Sealed

Can you hear them?
They talk about us
Telling lies
Well, that’s no surprise

Can you see them?
See right through them
They have no shield
No secrets to reveal

It doesn’t matter what they say
In the jealous games people play
Our lips are sealed

There’s a weapon
That we must use
In our defense
Silence reveals

When you look at them
Look right through them
That’s when they’ll disappear
That’s when we’ll be feared

It doesn’t matter what they say
In the jealous games people play
Our lips are sealed

Pay no mind to what they say
It doesn’t matter anyway
Our lips are sealed

Hush, my darling
Don’t you cry
Quiet, angel
Forget their lies

Can you hear them?
They talk about us
Telling lies
Well, that’s no surprise

Can you see them?
See right through them
They have no shield
No secrets to reveal

It doesn’t matter what they say
In the jealous games people play
Our lips are sealed

Pay no mind to what they say
It doesn’t matter anyway
Our lips are sealed
Our lips are sealed
Our lips are sealed