Fleetwood Mac – Kiln House …album review

When most folks hear the words Fleetwood Mac, they immediately think of the Rumours-era band. But rewind just a few years earlier and you’ll find a very different band, one still rooted in the blues, still searching for direction after the departure of founding guitarist Peter Green. Starting that transitional phase is the album Kiln House.

Fleetwood Mac was changing throughout the decade, but 1970s Kiln House was one of their strangest detours. After Peter Green’s sudden exit, the band found itself leaderless. Instead of breaking up, Jeremy Spencer and Danny Kirwan took the lead and led the band through a melodic 1950s-inspired sound with that glorious echo. The entire album isn’t that, but it’s a heavy influence. 

 This is one of the most interesting bands ever. You can find a song in one of their many eras to satisfy anyone. This album was a departure from the Peter Green era. It didn’t have the intensity that Green brought, but it made up for it in some great songs. It was highly melodic with some complicated melodies, like Station Man (written by Danny Kirwan, Spencer, and John McVie); the later incarnation picked up on that song as well. The first song of this period I took notice of a few years ago was Jewel Eyed Judy from this album. 

Jeremy Spencer adored that 1950s rock style, and This Is the Rock is one of his tributes to that era. Another obvious one is the song Buddy’s Song. They also had some nice straight-out rock on the album with Kirwan’s Tell Me All the Things You Do.

This album ties the eras together for me. You had straight out rock, a touch of blues, rockabilly, country, and some pop that foreshadowed what was to come. It is probably the most varied Fleetwood Mac album I’ve listened to. You can hear Fleetwood Mac going toward something new.

The album peaked at #69 on the Billboard Album Charts, #67 in Canada, and #39 in the UK. Christine McVie not only drew the cover, she also contributed to the album with backup vocals, keyboards, and even cover art. After this album, she became a full member.

This Is The Rock

This is the rockWe’ve been talking about (this is the rock)Yeah, this is the rockMakes you jump and shout (this is the rock)This is the rockThat knocks you right out

It makes you loseAll your troubles and caresYou’ll lose your bluesThey ain’t going nowhereThis is the rockThat hits you right there

Well you can get back on the roofAnd shout it all aroundGet up off your seats is what I’m putting downGet ’em all a hoppin’ to that crazy beatGet ’em all a boppin’ and a tappin’ their feet

‘Cause it’s the rockMoves you all day long (it’s the rock)Yeah, it’s the rockGettin’ everyone (it’s the rock)This is the rockIt really turns you on, woo

Well you can get back on the roofAnd shout it all aroundGet up off your seats is what I’m putting downGet ’em all a hoppin’ to that crazy beatGet ’em all a boppin’ and a tappin’ their feet

‘Cause it’s the rock (it’s the rock)Moves you all day long (it’s the rock)Yeah, yeah it’s the rockGettin’ everyone (it’s the rock)This is the rockIt really turns you on

Yeah, this is the rockIt really turns you onThis is the rockIt really turns you on

Well this is the rock

Fleetwood Mac – Albatross

Albatross is an instrumental from Fleetwood Mac…the 60’s version of the band with the great guitar player Peter Green. I first heard about the song in a book. The Beatles were recording Abbey Road and they played this song constantly through the sessions. You can hear the reverb effect used on Sun King by Lennon that resembles Albatross. 

When this song was released, Fleetwood Mac was six years away from their pop conversion of the Stevie Nicks/Lindsey Buckingham era. The lineup on this track was Peter Green (vocals, guitar), John McVie (bass), Danny Kirwan (guitar), and Mick Fleetwood (drums). The song was released on November 22, 1968, with ‘Jigsaw Puzzle Blues’ (written by the band’s James Kirwan) on the B-side.

It remains one of the band’s most recognizable songs from their early blues- period. The song peaked at #1 on the UK Charts, #45 in Canada, and #4 on the Billboard Bubbling Under the Hot 100 Charts (per Wiki) in 1969. Peter Green wrote this song. Albatross was re-released in 1973 peaking at #2 on the UK Charts. In 1989, it was released again and peaked at #96 on the UK Charts…and in 2020-2023 it was released yet again and peaked at #8 on the UK Singles Charts. The song keeps on giving. 

Funny enough…this song remains their only #1 UK song! That surprises me with the later commercial success they had. Few bands could evolve like they did. Genesis is one and David Bowie is another one that pulled off different sounds but remained popular. 

The title came from a bird called The Albatross, which sailors regarded as a sign of bad luck. That is where the saying “like an Albatross around your neck” came from. Green was also influenced by the Santo and Johnny song Sleep Walk…which you can hear that sound in this. Green also said some of it came from notes that Clapton would play with the John Mayall Bluesbreakers on the song The Last Meal but just slowed down. Peter Green would replace Eric in that band. 

Peter Green remains one of my favorite guitar players. My admiration for him has grown through the years. Sleep Walk from Santo and Johnny remains one of my favorite instrumentals and I can hear it in this clearly…makes me like it more. 

Danny Kirwan: Well, that was Monsieur Peter Green – I called him Monsieur, you know – and I played with him. On “Albatross” he told me what to do, all the bits I had to play.

George Harrison: “So we said, ‘Let’s be Fleetwood Mac doing Albatross, just to get going.’ It never really sounded like Fleetwood Mac… but that was the point of origin.”

Peter Green talking about LSD and Albatross