The Kinks are a band that belongs up with The Beatles, Who, and Stones but sometimes gets overlooked. I’ve always been a fan of them since I had a greatest hits album at a young age that covered the early years. In 1981 I bought Give The People What They Want when it was released and I’ve been hooked ever since. I saw them in 1983 and it is still one of the best concerts I’ve ever attended. I saw them at the Grand Ole Opry House in Nashville in an intimate setting.
I’ve always liked this song. The lyrics are a touching goodbye to someone or a situation. It’s up in my top 10 of the Kinks songs. I’ve read a critic who said The Kinks were “the most adamantly British of the Brit Invasion bands.” I think that is a fair statement.
Days was originally going to be an album track on the 1968 concept album Kinks Are The Village Green Preservation Society. The reason for the change is because Their previous single “Wonderboy” failed in the charts and the record company rushed this song out as a single. It did the trick because it peaked at #12 in the UK and #11 in New Zealand.
At the time The Kinks were making these great albums but they couldn’t tour in the US because of a touring ban. It didn’t chart in America or Canada. They would not chart a song in America or Canada until 2 more years later with Lola.
After the failure of Wonderboy, Ray Davies wrote this song to say goodbye to his career. Davies: “I didn’t care anymore. So I thought, ‘Say goodbye nicely,’ and wrote ‘Days.'”
That wasn’t the only thing that was on his mind with this song though. His sister Rosie had just immigrated to Australia. Ray Davies: “She left and said, ‘Say goodbye, my loving brother,’ and I said, ‘Thank you for being my sister, so the song’s for her, really, and her generation.”
The song peaked at #12 in the UK but failed to chart in the US.
Ray Davies: “I started writing it in a hotel on tour. Strangely enough, it was the rhythm I wanted to get first, the sustained chords. The actual tune came later. And then I wrote some of it in a phone box while I was phoning somebody I shouldn’t be phoning. The song wasn’t about the person on the other end of the line. Well, not really. But I suppose it’s the ultimate kiss-off, isn’t it? ‘Thank you for the days.'”
“The song has grown in intensity over the years,” he said. “I didn’t think much about the song when I wrote it. Sometimes songs occur like that. You don’t think about it, but it’s built up quite a lot of mystique over the years. It certainly left me. It belongs to the world now.”
Kirsty MacColl did a version that peaked at #12 in the UK in 1989
https://www.youtube.com/watch?v=HNJcd1pTaL0
For those of you in the UK you might remember it in a 2011 Volkswagen Golf Cabriolet Comercial.
https://www.youtube.com/watch?v=bOk7khDGtSs
Days
Thank you for the days
Those endless days, those sacred days you gave me
I’m thinking of the days
I won’t forget a single day, believe me
I bless the light
I bless the light that lights on you believe me
And though you’re gone
You’re with me every single day, believe me
Days I’ll remember all my life
Days when you can’t see wrong from right
You took my life
But then I knew that very soon you’d leave me
But it’s all right
Now I’m not frightened of this world, believe me
I wish today could be tomorrow
The night is dark
It just brings sorrow, let it wait
Thank you for the days
Those endless days, those sacred days you gave me
I’m thinking of the days
I won’t forget a single day, believe me
Days I’ll remember all my life
Days when you can’t see wrong from right
You took my life
But then I knew that very soon you’d leave me
But it’s all right
Now I’m not frightened of this world, believe me
Days
Thank you for the days
Those endless days, those sacred days you gave me
I’m thinking of the days
I won’t forget a single day, believe me
I bless the light
I bless the light that shines on you believe me
And though you’re gone
You’re with me every single day, believe me
Days
