The Who’s Next album was released in 1971 and is one of the greatest classic rock albums ever released. This song is a song one clocking in at a short 2:11 and unlike most of the album…this one is softer. Pete Townshend originally wrote this for his Lifehouse project, where the character of Ray, a Scottish farmer, was intended to sing the song, which expresses the sentiment that love is meant to be shared.
The song was originally recorded several months prior to Who’s Next, as a four-minute electric version with Townshend singing lead and playing rhythm guitar, and the lead solos performed by Leslie West, the guitarist for New York power trio Mountain. The Who was recording at the Record Plant in New York, and Townshend reportedly didn’t want to spend time on overdubs, so West was called in to play on the track.
After a falling out with producer Kit Lambert, the band recorded an acoustic version that was used on the album. The Who often played the harder Rock version at their concerts. This version can be heard on their 1974 Odds & Sods album.
If two versions weren’t enough… Townshend’s original demo of the song appears on the six-disc Lifehouse Chronicles, songs from Townshend’s never fully-completed Lifehouse rock opera. This demo clocks in at 1:31, with no solo and Townshend taking advantage of the then-novel oscillator bank on his Arp synthesizer.
The album peaked at #4 in the Billboard Album Charts, #5 in Canada, and #1 in New Zealand in 1971.
Love Ain’t For Keeping
Layin’ on my back
In the newly mown grass
Rain is coming down
But I know the clouds will pass
You bring me tea
Say “the babe’s a-sleepin'”
Lay down beside me
Love ain’t for keeping
Black ash from the foundry
Hangs like a hood
But the air is perfumed
By the burning firewood
The seeds are bursting
The spring is a-seeping
Lay down my darling
Love ain’t for keeping
Lay down beside me
Love ain’t for keeping
Lay down beside me
Love ain’t for keeping
Lay down my darling
Love ain’t for keeping
I like all three versions. It’s hard to pick a favorite. Bringing in Leslie West to avoid overdubs was a cool move. The album version seems to suffer from a bit of over-production compared to the other two, but I suppose may fit into the album better that way, considering the other songs on it.
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I had no clue about Leslie West coming in. I read that Moon hung out with him some. Now I know why. It’s hard to pick one…
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A really pretty song. I’ve always loved the backing vocal harmony in The Who’s well known version. I’ve never laid on my back in newly mown grass, but I can see it. If I ever did it, I’d probably sneeze myself to death.
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lol that is me also about the grass. Townshend and Entwistle did great backing harmonies.
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I quite like it. Listened to the first and third videos, think the Townshend demo had real potential but either one is quite good . Certainly not one I’ve heard on radio, which is too bad.
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I’ve heard it on classic radio a little. Not much off that album that hasn’t been played somewhere but it’s not one you hear all of the time. I do like the rocking one also.
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The third version for me – but none really turn my crank.
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Thats alright… this was one of the weaker songs on a great album.
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This one has never jumped out at me, but that’s because it gets overshadowed on a terrific album
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This one doesn’t overpower you sonically as the Who tended to do, but with the vocals and structure you know straight away…
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Wow man great track. I need a copy of Hooligans on vinyl…lol
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lol… I would like to have it again also.
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Great tune and one I’m afraid I kind of had ignored, so thanks for calling it out!
Between classics like “Baba O’Riley”, “Bargain”, “Behind Blue Eyes” and the killer “Won’t Get Fooled Again” it’s easy to overlook a song like “Love Ain’t for Keeping”. I think of the three takes the Leslie West version is my favorite, but I also like the acoustic version that ended up on the album.
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It’s easy to look over songs…and with Goin’ Mobile…love this album
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“Going Mobile” is another tune I really like. It’s such a great album!
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I am always impressed among other things by the masterful drumming that underlies their most favorite songs. This tune resonates to me in his way.
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Keith Moon is my favorite drummer of all time… his playing lifted these songs.
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Listen to the slow songs on Who’s Next album again and you can really absorb his drumming.] mastery.They should have featured him more as a soloist.
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He made a solo album but it was his vocals…I always wished he would have performed a more percussion style album.
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So why was he stuck in the pop rock scene only , with all that talent?
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That is where the money was. A classically trained drummer watched him before at Keith’s request for lessons…the guy asked Keith….what can I show you? He then asked Keith what he made…being told that…the drummer said you don’t need any lessons.
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I faced that crossroad before on a lesser scale of course in my life. So I became the fool by accepting those lessons?
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No…to each his own. I just told you what Keith did.
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